Difference Between Director Cut and Theatrical
The main difference between Director Cut and Theatrical is that the Director Cut is the filmmaker's preferred version, while Theatrical is the version released to cinemas. Director Cut is the editor-approved extended or altered film, while Theatrical is the commercially distributed theatrical release.
Key takeaways
- Core distinction: The director cut represents the filmmaker's personal vision, while the theatrical version is the studio's commercially edited release.
- How each works: Theatrical releases prioritize runtime constraints and audience testing, whereas director cuts restore deleted scenes and extended sequences for narrative depth.
- Cost and effort: Producing a director cut demands additional editing, new sound mixing, and visual effects work, increasing post-production expenses significantly.
- Best-fit use case: Choose the theatrical version for mainstream viewing, but select the director cut for deeper character development and narrative context.
- Common decision mistake: Assuming the director cut is always superior, yet many versions simply restore deleted footage without meaningful narrative improvements.
Table of Contents18 sections
Difference Between Director Cut and Theatrical: Comparison Table
| Aspect | Director Cut | Theatrical |
|---|---|---|
| Definition | Version approved by the director reflecting their original creative vision for the film. | Version distributed to cinemas and cinemas for public release, often constrained by studio demands. |
| Primary Purpose | Restores or presents scenes the director originally intended for artistic expression. | Maximizes audience appeal and commercial viability within a standard theatrical release window. |
| Core Mechanism | Reinserts deleted scenes, extends sequences, and alters pacing based on director's editorial choices. | Uses studio-mandated edits, shortened runtime, and simplified narrative to maintain theatrical flow. |
| Runtime Length | Typically runs 10 to 30 minutes longer than the theatrical release version. | Usually runs shorter, often trimmed to fit more showtimes per day in multiplexes. |
| Scene Inclusion | Contains deleted subplots, extended dialogue, and alternate character moments absent elsewhere. | Omits scenes deemed unnecessary for pacing, clarity, or audience engagement during test screenings. |
| Editorial Control | Director holds final creative authority over cuts, edits, and narrative assembly decisions. | Studio executives and producers hold final authority over the release version's content. |
| Production Timeline | Often assembled months or years after the original theatrical release date. | Completed before the scheduled release date to meet distribution and marketing deadlines. |
| Release Format | Released on home media, streaming platforms, or special anniversary editions. | Released in cinemas, drive-ins, and subsequent broadcast and streaming channels. |
| Distribution Scope | Limited to physical media, digital rentals, and select streaming catalogs worldwide. | Wide distribution through theatrical exhibition, then television, and streaming services. |
| Narrative Pacing | Slower pacing allows subplots and character development to breathe fully. | Faster pacing maintains momentum to hold general audience attention throughout the film. |
| Character Depth | Expanded scenes reveal additional motivations, backstory, and emotional arcs for supporting characters. | Reduced character focus prioritizes main protagonists and central plot progression over supporting arcs. |
| Plot Cohesion | Restored subplots often clarify narrative threads left ambiguous or unexplained in release. | Condensed plot removes subplots to streamline the central narrative for broad comprehension. |
| Content Rating | May receive a stricter rating due to restored violence, language, or sexual content. | Often edited to achieve a commercially favorable rating for wider audience access. |
| Violence Level | Restored violent sequences often include extended fight scenes and graphic detail. | Trimmed violence reduces graphic content to meet rating board standards and expectations. |
| Dialogue Content | Extended dialogue scenes include additional conversations, monologues, and character interactions. | Condensed dialogue removes lines to quicken scene transitions and maintain runtime. |
| Visual Effects | May include unfinished or alternate visual effects shots restored from original footage. | Fully completed visual effects polished to final theatrical presentation quality standards. |
| Sound Mixing | Often remastered with updated sound mixing, audio levels, and immersive audio tracks. | Original theatrical sound mix optimized for cinema speaker configurations and standards. |
| Production Cost | Additional post-production costs arise from editing, restoration, and new footage processing. | Primary production and post-production costs are incurred for the initial release cycle. |
| Marketing Budget | Minimal marketing budget allocated for niche fan audiences and collector market segments. | Substantial marketing budget spent on trailers, ads, and promotional campaigns. |
| Box Office Impact | Rarely affects box office revenue since released after initial theatrical window. | Directly drives box office performance, opening weekend gross, and theatrical revenue. |
| Home Media Sales | Often drives physical media sales, collector editions, and premium digital purchases. | Initial home media release follows theatrical window with standard features. |
| Fan Reception | Generally favored by dedicated fans who prefer restored narrative completeness. | Mixed reception from general audiences who judge pacing and entertainment value. |
| Critical Response | Critics may reassess film quality positively or negatively with restored content. | Initial critical reviews reflect the theatrical version's pacing, plot, and editing. |
| Canon Status | Often considered the definitive version by director and dedicated fan communities. | Considered the official release version in most film databases and records. |
| Availability | Available through select streaming platforms, Blu-ray, and limited digital releases. | Widely available across all streaming services, television, and digital platforms. |
| Historical Examples | Blade Runner Final Cut, Apocalypse Now Redux, and Kingdom of Heaven Director's Cut. | Blade Runner theatrical, Apocalypse Now theatrical, and Kingdom of Heaven theatrical. |
| Typical Users | Film enthusiasts, collectors, and fans seeking complete narrative experience. | General moviegoers, casual viewers, and mainstream audience members. |
| Primary Limitation | Longer runtime may reduce pacing appeal for viewers expecting theatrical momentum. | Missing scenes can leave narrative gaps or character motivations unexplained. |
| Studio Pressure | Often created without studio interference, but may lack test-screening feedback. | Shaped by studio test screenings, focus groups, and market research. |
| Best-Fit Scenario | Ideal for home viewing where extended runtime and depth are preferred. | Best for first viewing, cinema experience, and time-constrained viewing sessions. |
What Is Director Cut?
Director Cut is a version of a film assembled by the director, not the studio. It restores or reorders footage to match the director's original vision. It exists to present a film closer to how the creator intended it before studio interference or runtime constraints changed it.
Definition of Director Cut
A Director Cut is a re-edited version of a motion picture assembled under the director's direct supervision, typically featuring extended scenes, alternate takes, or deleted material. It usually represents the filmmaker's preferred narrative vision, often differing from the version released to theaters for commercial release.
Key Characteristics of Director Cut
| Characteristic | What It Means in Practice |
|---|---|
| Director supervision | The director directly controls the final edit, selecting footage and pacing without studio interference. |
| Extended runtime | Often runs longer than the theatrical version because it restores previously deleted scenes. |
| Alternate takes | Uses different camera takes or line readings that the studio originally rejected for time. |
| Restored subplots | Brings back character arcs or narrative threads removed to simplify the theatrical narrative. |
| Pacing changes | Alters the rhythm of scenes, often slowing the pace to build character detail. |
| Content restoration | Reinserts violent, sexual, or controversial material cut to achieve a lower rating. |
| Sound redesign | May feature a new sound mix or alternate score that changes the film's emotional tone. |
| Home media release | Typically debuts on Blu-ray, DVD, or streaming, not in initial theatrical distribution. |
| Director approval | Signifies the director approves this specific version as the definitive representation. |
| Variable quality | Not automatically superior to the theatrical cut because longer edits can hurt pacing. |
Common Examples of Director Cut
- Blade Runner - Removes the noir voiceover and adds a dream sequence that changes Deckard's story.
- Apocalypse Now - Adds the French plantation sequence, expanding the film's meditation on colonialism.
- Kingdom of Heaven - Restores the full narrative, transforming a muddled epic into a coherent crusade story.
- Watchmen - Integrates the interwoven animated pirate subplot that the theatrical version discarded.
- Lord of the Rings - Adds extended scenes that deepen character moments from the book that were cut.
- Daredevil - Reinserts a subplot and adds a darker tone that the theatrical version removed.
- Payback - Rebuilds the ending to match the original novel's conclusion instead of the studio's ending.
- Midsommar - Extends the runtime with added scenes that expand the cult's manipulation of the protagonist.
- Superman II - Uses Richard Donner's footage, creating a more serious tone than the theatrical release.
- Once Upon a Time in America - Restores the chronological structure that the studio's linear cut destroyed.
Advantages and Limitations of Director Cut
| Advantages | Limitations |
|---|---|
| Restores the creator's intended narrative vision without studio-mandated cuts. | Longer runtime often creates pacing problems that make the film feel slower and bloated. |
| Provides deeper character development through restored subplots and additional scenes. | Restored footage is sometimes deleted for good reason, showing why the studio cut it. |
| Offers a fresh viewing experience for audiences who already saw the theatrical version. | Creates confusion about which version is the definitive one for casual viewers. |
| Adds commercial value to home media releases, encouraging collectors to buy again. | Director approval does not guarantee the film is artistically better than the original. |
| Attracts critical reappraisal of films that failed commercially in their first release. | Can contradict the original theatrical experience that audiences remember and value. |
| Restores controversial content that was removed to secure a lower age rating. | Alternate takes may lack the polish of the theatrical edit's sound and visual polish. |
| Gives the director a platform to correct a compromised studio release. | Extends production costs for new mastering, scoring, and special effects on new footage. |
| Strengthens the film's legacy by presenting a more complete artistic statement. | Often relies on unfinished effects that were never completed for the original release. |
| Allows the director to correct narrative choices that were overruled by test audiences. | Creates a new version that can split the fanbase into hostile camps over which is better. |
| Preserves the filmmaker's original script intentions for historical film studies. | Can feel like an indulgent project that prioritizes the director's ego over the audience. |
What Is Theatrical?
Theatrical is the version of a film that studios release to cinemas for the initial public run. It is the cut that distributors, exhibitors, and test audiences shape for broad appeal. It exists to maximize box-office revenue through a fixed runtime, a specific rating, and pacing that suits mainstream audiences. Studios prioritize commercial viability with this primary release.
Definition of Theatrical
Theatrical denotes the primary commercial release version of a motion picture, locked by the studio for cinematic distribution. This cut adheres to a mandated runtime and rating that exhibitors approve for mass exhibition. It represents the commercially sanctioned version that general audiences encounter first, before any subsequent home media or special edition releases.
Key Characteristics of Theatrical
| Characteristic | What It Means in Practice |
|---|---|
| Fixed runtime | Runtime is locked to fit a specific number of daily showtimes in a commercial cinema. |
| Broad rating | Content is trimmed to secure a lower age rating that admits a wider potential audience. |
| Pacing control | Scene rhythm is tightened to hold general audiences' attention through an entire standard sitting. |
| Audience testing | Preview screenings guide trims and re-edits that shape this specific public-facing narrative version. |
| Studio approval | Final approval comes from the studio and distributor rather than from the director alone. |
| Narrative compression | Subplots are condensed or removed to deliver a tighter, more commercially direct story. |
| Standard aspect ratio | Framing is composed for standard cinema projection standards that most theaters can screen. |
| Release priority | This version debuts first in cinemas before any later home media or streaming release. |
| Marketing alignment | Content aligns with the marketing campaign that promotes the film to a broad demographic. |
| Exhibition standards | Technical specs match standard cinema sound and projection systems used by major theater chains. |
Common Examples of Theatrical
- Blade Runner – the 1982 theatrical release replaced the intended Vangelis score with a studio-mandated narration track.
- Star Wars – the original 1977 theatrical release excluded the special edition additions that George Lucas later inserted.
- Alien – the 1979 theatrical version removed a longer, slower opening sequence that later cuts restored.
- Apocalypse Now – the 1979 theatrical cut trimmed the extended plantation sequence that the redux version later restored.
- Payback – the 1999 theatrical release removed the darker original ending that the director's cut later restored.
- Daredevil – the 2003 theatrical version cut the R-rated violence that the director's cut later reinstated.
- The Abyss – the 1989 theatrical release deleted the alien wave sequence that the special edition later restored.
- Kingdom of Heaven – the 2005 theatrical release cut the extended story that the director's cut later expanded.
- Superman II – the 1980 theatrical version removed the Richard Donner footage that the recut later restored.
- Amadeus – the 1984 theatrical release trimmed the extended scenes that the director's cut later expanded.
Advantages and Limitations of Theatrical
| Advantages | Limitations |
|---|---|
| Reaches the widest possible audience through broad commercial cinema distribution. | Studio mandates often override the director's original creative vision for the final cut. |
| Shorter runtime permits more daily screenings that generate higher revenue per screen. | Compressed pacing frequently sacrifices character development and meaningful narrative subplot depth. |
| Lower age rating allows younger viewers to access the film in standard cinemas. | Content censorship removes violent or mature content that the original script intended. |
| Simplified narrative structure makes the story easier for a general audience to follow. | Test-screening feedback often forces changes that dilute the director's intended creative vision. |
| Faster post-production turnaround lets the studio meet a fixed scheduled release date. | Deleted scenes remove character arcs that enrich the story for attentive viewers. |
| Marketing campaign alignment ensures the film directly matches its advertised promotional promise. | Studio executives make final decisions that override the director's final creative control. |
| Standard technical specs guarantee compatibility with all commercial theater projection equipment. | Removed subplots leave plot holes that attentive audiences often notice during viewing. |
| Commercial viability focus prioritizes the film's financial success over artistic expression. | Truncated scenes weaken emotional impact that the original longer version delivers. |
| Broader demographic appeal targets mainstream moviegoers who want accessible entertainment. | Compressed edits reduce thematic complexity that sophisticated audiences may appreciate. |
| Exhibition standards meet distributor requirements for mainstream cinema chains worldwide. | Original soundtrack changes often replace the composer's intended musical score selections. |
Similarities Between Director Cut and Theatrical
| Shared Aspect | How Director Cut and Theatrical Are Alike |
|---|---|
| Core Purpose | Both Director Cut and Theatrical versions exist to present the same film to an audience. |
| Source Material | Both Director Cut and Theatrical rely on the identical footage captured during the original production. |
| Primary Cast | Director Cut and Theatrical feature the same actors, performances, and character portrayals throughout. |
| Story Foundation | Director Cut and Theatrical share the same central plot, narrative arc, and underlying narrative structure. |
| Dialogue Content | Director Cut and Theatrical use the same scripted dialogue, spoken lines, and character dialogue exchanges. |
| Setting Elements | Director Cut and Theatrical feature identical settings, locations, and the physical environments shown on screen. |
| Music Score | Director Cut and Theatrical generally retain the same musical score and composed musical score tracks. |
| Production Studio | Director Cut and Theatrical are typically released by the same studio and production company. |
| Film Genre | Director Cut and Theatrical belong to the same film genre and genre classification category. |
| Filmmaker Vision | Director Cut and Theatrical originate from the same director and the director's creative vision. |
| Cinematography | Director Cut and Theatrical share the same cinematography and the original camera footage shots. |
| Editing Process | Director Cut and Theatrical both undergo editing and the same editing process during post-production. |
| Visual Effects | Director Cut and Theatrical contain the same visual effects and special effects elements created. |
| Sound Design | Director Cut and Theatrical include the same sound design and the audio sound effects elements. |
| Costume Design | Director Cut and Theatrical feature the same costumes and the costume design created for characters. |
| Production Budget | Director Cut and Theatrical originate from the same production budget and the initial film budget. |
| Filming Timeline | Director Cut and Theatrical share the same filming timeline and the original shooting schedule. |
| Target Audience | Director Cut and Theatrical target the same audience and general audience demographic for viewing. |
| Distribution Channels | Director Cut and Theatrical use the same distribution channels and the available distribution channels. |
| Home Media | Director Cut and Theatrical appear on the same home media and physical media formats. |
| Digital Platforms | Director Cut and Theatrical stream on the same digital platforms and the streaming platforms available. |
| Intellectual Property | Director Cut and Theatrical share the same intellectual property and the underlying film property rights. |
| Copyright Ownership | Director Cut and Theatrical remain under the same copyright and the original copyright ownership. |
| Marketing Materials | Director Cut and Theatrical use the same marketing materials and the official promotional materials. |
| Critical Reception | Director Cut and Theatrical receive critical reception and the same critical reception from reviewers. |
| Audience Reception | Director Cut and Theatrical generate audience reception and the same audience reception from viewers. |
| Franchise Potential | Director Cut and Theatrical share the same franchise potential and the potential for sequels. |
| Cultural Impact | Director Cut and Theatrical both have cultural impact and the same cultural impact on popular culture. |
| Legacy Status | Director Cut and Theatrical hold legacy status and the same legacy status within film history. |
| Ongoing Availability | Director Cut and Theatrical maintain ongoing availability and the same ongoing availability for audiences. |
Director Cut or Theatrical: Which Should You Choose?
The deciding variable is your priority: the director's complete vision versus the audience's viewing experience. If you value artistic intent and complete narrative, choose Director Cut. If you value pacing, pacing momentum, and broad accessibility, choose Theatrical.
When to Use Director Cut
Choose Director Cut when you prioritize the filmmaker's original, unaltered vision for a patient, detail-oriented viewer. It suits home viewing with no time constraints. This version includes extended scenes, subplots, and character depth absent from the theatrical release.
When to Use Theatrical
Choose Theatrical when you want the tightly paced, broadly accessible version for a general audience or first-time viewing. It matches the original cinema release with studio edits for pacing and runtime. This suits casual viewing or quick consumption.
Common Misconceptions About Director Cut and Theatrical
| Common Myth | The Reality |
|---|---|
| The director's cut is always longer than the theatrical version. | A director's cut can be shorter or similar in length; the theatrical cut is often longer to meet studio pacing requirements. |
| A director's cut is always the director's original vision. | Some director's cuts are assembled years later for home media, and the theatrical cut may actually be closer to the director's original intention. |
| The theatrical cut is always worse than the director's cut. | Many theatrical cuts are superior for pacing and pacing is subjective; some directors prefer the theatrical cut for its tighter narrative flow. |
| Every movie has an official director's cut released for every film. | Most films have no director's cut; only a small fraction of major studio films receive an alternate director's cut release. |
| The director's cut always contains more violent or graphic content. | Director's cuts often add character scenes, subplots, or extended dialogue; added violence is not the defining feature of a director's cut. |
| The director's cut is always approved by the director personally. | Some director's cuts are assembled by studios for marketing purposes, and the director may not have supervised that specific director's cut version. |
| Theatrical cut means the director had full control over the final film. | The theatrical cut is typically controlled by the studio, which can mandate changes to the theatrical cut for commercial appeal and runtime constraints. |
| A director's cut always restores every deleted scene from the filming process. | Restored scenes in a director's cut are selective; the director's cut omits many deleted scenes for narrative flow and not every cut includes every filmed moment. |
| The theatrical cut is the same as the final cut in film school. | The theatrical cut is the version released to cinemas, while the final cut can refer to any locked edit including a director's cut for home video. |
| Director's cut means the director's preferred version is automatically the longest edit. | A director's cut is not automatically the longest edit; some director's cuts trim scenes to increase pace, making the theatrical cut longer than the director's cut version. |
| Only the director's cut is the definitive version for home video releases. | The theatrical cut often remains the primary version on home media, and the director's cut is a supplemental bonus feature on many discs and streaming platforms. |
| Theatrical cut is always the version shown on television broadcasts. | Television broadcasts often use a television cut that is edited for time, not the theatrical cut; the TV cut may differ from the theatrical cut and director's cut. |
| Director's cut is a modern invention of the streaming era. | Director's cuts predate streaming; the director's cut concept became prominent with home video in the 1980s, long before streaming platforms existed. |
| The theatrical cut is always the shorter runtime of the two versions. | Some theatrical cuts are longer than the director's cut; the director's cut can trim subplots to quicken the theatrical cut's pace and the theatrical cut's runtime. |
| Director's cut always fixes every problem from the theatrical version. | A director's cut does not fix every issue; the director's cut can introduce new pacing problems that the theatrical cut handled better for general audiences. |
| The theatrical cut is the director's cut with only minor audio changes. | The theatrical cut and the director's cut can differ in structure, scenes, and music; audio changes are only one possible difference between director cut and theatrical. |
| Director's cut is always released in theaters after the theatrical run. | Director's cuts are rarely released in theaters; the director's cut is mostly a home video release, and the theatrical cut is the only cinema version. |
| Watching the director's cut is always the best way to watch a film. | The theatrical cut is the version most audiences see first; the director's cut is not automatically the best version for a first viewing experience. |
| The director's cut always has a completely different story from the theatrical cut. | The director's cut usually shares the same core plot; the theatrical cut and the director's cut differ in scenes, not in the fundamental story structure. |
| Theatrical cut is the director's cut before studio interference. | The theatrical cut is the studio-approved version; the director's cut is often the director's preferred version and the theatrical cut is not the pre-interference edit. |
| Director's cut is a term used only for science fiction or fantasy films. | Director's cuts exist across all genres; the director's cut is common in dramas and comedies, not only for science fiction or fantasy films. |
| The theatrical cut always removes the director's cut from the creative process. | The theatrical cut is a collaborative studio process; the director's cut is not a separate process, and the director often works on the theatrical cut too. |
| Director's cut always includes deleted scenes that were never finished. | Director's cuts often include finished deleted scenes; the director's cut rarely includes raw footage, and the theatrical cut uses only completed scenes. |
| The theatrical cut is always the version that wins awards. | The theatrical cut is the awards-qualifying version; the director's cut rarely wins major awards because the theatrical cut is the official awards submission. |
| Director's cut is always a sequel or a separate film from the theatrical cut. | A director's cut is an alternate edit, not a sequel; the director's cut is the same film as the theatrical cut, just a different version of the theatrical cut. |
| The theatrical cut is always the director's cut with the ending changed. | The theatrical cut can share the same ending; the director's cut often changes the ending, but the theatrical cut is not always the director's cut ending. |
| Director's cut is always released to fix a box office failure. | Director's cuts often follow successful theatrical cuts; the director's cut is not a rescue plan, and the theatrical cut's box office is not the reason for a director's cut. |
| The theatrical cut is the version that the director's cut is always compared against. | The theatrical cut is the standard baseline; the director's cut is compared against the theatrical cut, but the director's cut is not always the reference point. |
| Director's cut always means the director's cut is the uncensored version. | Censorship is rare in director's cuts; the director's cut is not automatically uncensored, and the theatrical cut is not always the censored version. |
| The theatrical cut is always the director's cut with extra footage removed. | The theatrical cut is the release version; the director's cut may add scenes, but the theatrical cut is not always the director's cut with removed footage. |
Conclusion
Difference Between Director Cut and Theatrical comes down to creative intent versus studio control. Director Cut prioritizes the filmmaker's original vision, often with longer runtime. Theatrical prioritizes studio-driven pacing for mass appeal. Choose Director Cut for authenticity. Choose Theatrical for a tighter, mainstream experience.
FAQs on Difference Between Director Cut and Theatrical
- What is a Director's Cut in film?
- A Director's Cut is a version of a film edited to match the director's original vision, often restoring deleted scenes and removing studio-mandated changes. This version typically runs longer than the theatrical release.
- What is the theatrical version of a movie?
- The theatrical version is the specific cut of a film that studios release to cinemas for public exhibition. The studio often trims this version for pacing, runtime, and broader audience appeal to maximize box office returns.
- What is the main difference between a Director's Cut and a theatrical release?
- The main difference is creative control and runtime, as a Director's Cut restores director-approved footage while the theatrical version is the studio-approved commercial release. The Director's Cut usually adds scenes, extends sequences, and alters the narrative tone.
- Is a Director's Cut always better than the theatrical version?
- Not always, because a Director's Cut can include slower pacing or unfinished effects that the theatrical edit tightened. The theatrical version is often more polished for a general audience, while the Director's Cut offers a more authentic artistic experience.
- Does a Director's Cut cost more than a theatrical version?
- Yes, a Director's Cut usually costs more because it requires additional post-production work, new mastering, and often a separate disc or streaming license. The theatrical version is typically cheaper to license due to its existing mass-market availability.
- Is it risky to watch a Director's Cut instead of the theatrical release?
- Yes, the risk is a slower narrative and longer runtime that may not match your expectations for the theatrical release. You might also encounter unfinished visual effects or alternate endings that differ from the original cinema experience.
- Does a Director's Cut work on standard streaming platforms?
- Yes, a Director's Cut works on most streaming platforms, but availability depends on the platform's licensing agreement for that specific film version. The theatrical version is more universally available than the Director's Cut on most services.
- What is the biggest beginner mistake about Director's Cut versus theatrical?
- The biggest beginner mistake is assuming a Director's Cut is simply a longer theatrical version with extra deleted scenes. In reality, the Director's Cut can change the film's meaning, character arcs, and plot details compared to the theatrical version.
- Can you use a Director's Cut interchangeably with a theatrical version?
- No, you cannot use a Director's Cut interchangeably because they are distinct edits with different scenes, pacing, and narrative choices. The theatrical version represents the official cinema release, while the Director's Cut represents the filmmaker's personal vision.
- Can I switch from the theatrical version to a Director's Cut?
- Yes, you can switch from the theatrical version to a Director's Cut, but you must purchase or rent the specific Director's Cut separately. Switching also means accepting a longer runtime and potentially different creative choices from the director.
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